Craft in America Premieres New Season with Episodes: SCIENCE & COLLECTORS

[Los Angeles] – SCIENCE and COLLECTORS premiere on PBS December 27 at 9pm and 10pm, respectively (check local listings).

Streaming starts November 12th on the PBS App, pbs.org/craftinamerica, and craftinamerica.org.

The episodes comprise the newest season of Craft in America. The Peabody Award-winning and Emmy-nominated documentary series has produced 16 seasons since 2007, discovering the beauty, significance and relevance of handmade objects and the artists who make bring them to life.

“Craft in America…[has a] knack for telling big stories… about the formation of culture, the purpose of creativity, the idea that the pursuits of beauty and utility are foundational to humanity.” – New York Times

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SCIENCE

SCIENCE investigates the unexpected intersection between art and the sciences, spanning technology, engineering, biology, math, and the climate emergency. Nature, space, algorithms, and more serve as inspiration for artists connecting their work to the world around them, from the Santa Clara Pueblo in New Mexico to the computer science labs of MIT to NASA and the International Space Station. The featured artists are Erik & Martin Demaine, Joan Takayama-Ogawa, Chris Maynard, John Luebtow, Joseph & Sergio Youngblood Lugo and Karen Nyberg.

EPISODE HIGHLIGHTS

Erik & Martin Demaine (Cambridge, MA)
We begin at the Massachusetts Institute of Technology in Cambridge, Massachusetts, where Erik and Martin Demaine combine math with art. Erik is an MIT professor of computer science and the father-son team takes inspiration from their research to create unique curved-crease origami sculptures from folded paper.

Joan Takayama-Ogawa (Los Angeles, CA)
We find ceramic artist Joan Takayama-Ogawa at the Otis College of Art and Design in Los Angeles, California. Joan is a passionate artist and educator who uses her work in clay to respond to the ongoing climate emergency.

Chris Maynard (Olympia, WA)
We travel to Olympia, Washington, to meet Chris Maynard, who creates intricate art entirely from bird feathers. Inspired by his love of the natural world and his background as a biologist, Chris hopes to give people a new perspective on nature through his art.

John Luebtow (Los Angeles, CA)
Back in Los Angeles, we meet John Luebtow, a glass sculptor and teacher. He introduces us to the founder of the modern kindergarten, Friedrich Froebel, and how Froebel’s geometric “gifts” inspired John and generations of other artists.

Joseph & Sergio Youngblood Lugo (Santa Clara Pueblo, NM)
The Santa Clara Pueblo in New Mexico has been home to a long tradition of Native potters, including brothers Joseph and Sergio Youngblood Lugo. Joseph and Sergio demonstrate the ancestral firing technique that produces their unique polished pottery.

Karen Nyberg (Salt Lake City, UT)
We end the episode with retired NASA astronaut and quilter Karen Nyberg. Karen brought quilting to the International Space Station and inspired the international quilting challenge that connected makers from all over the world. Karen continues to create art inspired by space and science.

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COLLECTORS

COLLECTORS reveals the essential role that craft appreciators play in the community. It examines how collectors affirm and inspire the artists they support and how the art enriches the lives of the collectors in turn. The episode highlights collections from Chicano art to teapots to wooden spoons, looking at what drives collectors and how their support furthers artists at all stages of their careers. The featured artists and institutions are Cynthia Lockhart, Carolyn Mazloomi, Sara Vance Waddell, American Craft Council, Peter Shire, Sonny & Gloria Kamm, Fleur Bresler, Judith Chernoff & Jeffrey Bernstein, Norm Sartorius, Cheech Marin, Yolanda González, Francisco Palomares, Frank Romero and Jaime “Germs” Zacarias.

EPISODE HIGHLIGHTS

Carolyn Mazloomi, Cynthia Lockhart and Sara Vance Waddell (Cincinnati, OH)
COLLECTORS opens in Cincinnati, Ohio, with Carolyn Mazloomi, an artist, collector and curator and the founder of the Women of Color Quilters Network (WCQN). We meet Cynthia Lockhart, a quilt artist who has found community with the WCQN, and Sara Vance Waddell, a collector of women’s art, and learn how the three women have developed a friendship through collecting that has provided inspiration and encouragement in their lives.

American Craft Council (Baltimore, MD)
In Baltimore, Maryland, we meet several dynamic young collectors and the artists they support at the American Craft Council’s annual show, American Craft Made Baltimore. This celebration of craft provides an opportunity for artists and collectors to meet in person and connect over the art that brings them together.

Sonny and Gloria Kamm and Peter Shire (Los Angeles, CA)
We meet Sonny and Gloria Kamm and their vast collection of teapots in Los Angeles, California. They lead us to artist Peter Shire and discover the joy he finds in creating unique objects, from teapots to mugs to furniture.

Fleur Bresler, Judith Chernoff and Jeffrey Bernstein, and Norm Sartorius (Washington, D.C., and Parkersburg, WV)
In Washington, D.C., we visit the Renwick Gallery at the Smithsonian American Art Museum and meet three collectors who have donated work to the museum, Fleur Bresler, Judith Chernoff and Jeffrey Bernstein. They explain why sharing their collections with the public is an essential part of their connection with artists and introduce us to Norm Sartorius, a wood artist who makes fascinating and original spoons.

Cheech Marin, Yolanda González, Francisco Palomares, Frank Romero and Jaime “Germs” Zacarias (Riverside, CA)
Returning to California, comedian and collector Cheech Marin takes us to the Cheech Marin Center for Chicano Art & Culture of the Riverside Art Museum. Cheech has made a lifelong project of collecting and encouraging Chicano artists and found a home for his collection at the Riverside Art Museum. Yolanda González, Francisco Palomares, Frank Romero and Jaime “Germs” Zacarias are among the featured artists we meet from his collection.

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Woodworking Network: Craft in America Launches Craft Video Dictionary

5/13/24

Full, original article by Dakota Smith on Woodworking Network here.

Craft in America has launched the first-ever Craft Video Dictionary (CVD). The CVD is an online resource that gives the public a direct, close-up view of craft processes and techniques. Instead of words and images, CVD definitions are conveyed via video. Clear and concise, these videos are edited to focus on the artists’ movements and the transformation of materials. The project was initiated with support from The Decorative Arts Trust through their Prize for Excellence and Innovation in late 2020.

The first rollout of this new reference tool includes an initial batch of one hundred video definitions. This initial collection of videos begins to flesh out the ins and outs of art and craft making across a range of materials and media. Two hundred videos will be posted in total later this year.

The CVD includes techniques as demonstrated by artists with expertise in ceramics, metal, wood, fiber, glass, and more. Each video captures an artist manipulating material with their hands and tools through methods that are traditional, historic, and also very much still alive. “The CVD videos are intended to clearly define a craft technique, rather than demonstrate a how-to process. We hope this project will be useful to educators, museums, and everyone interested in craft,” says CVD project producer Denise Kang.

Thus far, 14 artists have been filmed across Southern California, and many of them are teaching artists at colleges in the region. The CVD includes definitions of terms ranging from sgraffito, which is a ceramics process, to glass blowing, and from cabinet making and joinery, to spindle turning, and blacksmithing.

By providing an intimate lens into the artist’s studio, CVD video definitions provide a sense of how the objects in our world come to be and what their craft entails. On creating the videos, CVD Project Director Emily Zaiden noted, “each artist during filming was able to take a step back from their second nature process and think about what someone unfamiliar with their craft might need to see and understand their work.”

A NEW, FREE ONLINE DICTIONARY OF CRAFT DEBUTS

This reinvented dictionary brings word definitions to life through videos of artists making objects.

About the Craft Video Dictionary

Three years in the making, Craft in America has launched the first ever Craft Video Dictionary (CVD), craftvideodictionary.org. The CVD is a free online resource that gives the public a direct, close-up view of craft processes and techniques. Instead of words and images, CVD definitions are conveyed via video. Clear and concise, these videos are edited to focus strictly on the artists’ movements and the transformation of materials. The project was initiated with support from The Decorative Arts Trust through their inaugural Prize for Excellence and Innovation, which was received in late 2020.

The first rollout of this new reference tool includes an initial batch of 100 video definitions. This initial collection of videos begins to flesh out the ins and outs of art and craft making across a range of materials and media. 200 videos will be posted in total later this year.

The CVD includes technique definitions as demonstrated by artists with expertise in ceramics, metal, wood, fiber, glass and more materials. Each video captures an artist manipulating material with their hands and tools through methods that are traditional, historic, and also very much still alive. “The CVD videos are intended to clearly define a craft technique, rather than demonstrate a how-to process. We hope this project will be useful to educators, museums, and everyone interested in craft,” says CVD Project Producer Denise Kang.

Thus far, 14 artists were filmed across Southern California, many of them are teaching artists at colleges in the region. The CVD includes definitions of terms ranging from sgraffito, which is a ceramics process, to glass blowing, and from cabinet making and joinery, to spindle turning, and blacksmithing.

By providing an intimate lens into the artist’s studio, CVD video definitions provide a sense of how the objects in our world come to be and what craft really entails. On creating the videos, CVD Project Director Emily Zaiden noted, “each artist during filming was able to take a step back from their second nature process and think about what someone unfamiliar with their craft might need to see and understand so as to appreciate their work.”

Woodworking Network: Craft in America Announces New Exhibition

April 26, 2024

Original post by Dakota Smith on Woodworking Network here.

LOS ANGELES, CA — The Craft in America Center has announced Building Blocks: Process and Wood, a group exhibition highlighting Southern California woodworkers who use tradition to create contemporary interpretations.

Craft in America is organizing an exhibition of woodwork and furniture-based sculpture made by the artists who were consulted and filmed for the new Craft Video Dictionary (CVD) definitions. The exhibition will consist of approximately two dozen recent works made by six artists in the field who are based across the Los Angeles basin. Ranging in styles and perspectives, these artists are unified by formal innovation coupled with a unique understanding of materials and techniques.

The Craft Video Dictionary is a new digital tool for understanding how objects are made. Launching in early 2024 with an initial exemplary array of video definitions that span media, material, process, and discipline, the CVD will continue to expand and develop over time. New, additional video definitions will be added at later intervals in 2024 and beyond. Especially for those who are not makers or artists, the CVD provides a chance to gain awareness about the crafting of objects, in real time. These educational videos are intended to clarify, elucidate, document, and explain craft techniques.

Participating Artists: Reuben Foat, Martin Alexander Hernandez, Ryan Taber, Lauren Verdugo, Larry White and Maxwell Wilson

American Folklore Society: Handwork: Celebrating American Craft 2026

Americans For The Arts: Americans for the Arts Teams Up With Handwork 2026 To Celebrate Legacy of America Craft in Lead-up to U.S. Semiquincentennial

Woodworking Network: Craft in America Announces Handwork: Celebrating American Craft 2026

5/13/24

Original post by Dakota Smith at Woodworking Network here.

LOS ANGELES – Handwork 2026 will be a year-long collaboration among organizations, educators, and makers to celebrate the diversity of the crafts that define America, bringing compelling stories and underrepresented art and artists into the spotlight. 

Craft in America announced the launch of Handwork: Celebrating American Craft 2026, a national Semiquincentennial initiative to showcase the importance of the handmade, both throughout our history and in contemporary life. 

Handwork 2026 will be a year-long collaboration among organizations, educators, and makers to celebrate the diversity of the crafts that define America, bringing compelling stories and underrepresented art and artists into the spotlight. 
The Renwick Gallery of the Smithsonian American Art Museum, the national museum dedicated to American craft, is the lead partner for the initiative and will host the core exhibition for the project.

Americans for the Arts, a non-profit organization for advancing the arts and arts education, is the Awareness partner for this project.

ArtDaily.com: ‘Between the Lines’ opening reception opens today at Craft in America Center

Original article on ArtDaily.com here.

LOS ANGELES, CA.- The Craft in America Center is opening Between the Lines, a two-person exhibition featuring master glass sculptors John Luebtow and Stephen Edwards. These two maverick sculptors have shaped the field of glass through potent artwork and technical prowess. Constantly innovating, they use glass in ways that defy expectations— bending, casting and cutting it into astounding forms that push the material to its limits. Over the decades, both their intimate and monumental works address relationships with nature, spirituality, and family.

Line is the guiding force shaping the form of each work. Line and form relay philosophical signifiers stemming from the artists’ personal experiences and outlooks. Responding to concepts through abstraction, glass becomes a material for echoing dynamics of the natural world.

This exhibition pairs these two luminaries who are also tied by a teacher/student relationship: Edwards was once a student in Luebtow’s high school art classes. Insatiably curious about process, both artists consistently push the boundaries of technical development and have created significant facilities, both of their own and at institutions. In addition to illustrious art careers, the two masters have been instrumental in creating education programs and facilities in glass, and have taught scores of art students; Luebtow at Harvard-Westlake School in Los Angeles, and Edwards at Alfred University in New York.

With more than a century of knowledge between them, these objects are a glimpse at how these artists create abstract forms with powerful, transcendent ideas about beauty, conflict, tension, nature and existence.

John Luebtow has become one of the most respected names in contemporary glass sculpture over the past forty years. He developed innovative techniques in glass-making, introducing and incorporating gestural and expressive qualities into impeccably finished sculptural components. He holds a BA from California Lutheran College, and two MFAs from UCLA (one in ceramics and one in glass).

Stephen Edwards built one of the largest hot glass programs in the nation at Alfred University, where he taught for 22 years. Prior to that, an early stepping stone was working as an artist-in-residence at the Penland School of Crafts. Near Penland, he established his first private glass studio in Micaville, North Carolina in 1982. Edwards graduated from Illinois State University with a Master of Fine Arts Degree in 1980.

Opening Reception: Saturday, March 9, 3:00–5:00pm PST Artist talk: Saturday, April 27, 3:00pm PST

KRQE.com: New Mexico Artists, Museums Featured in PBS show “Craft in America”

11/14/23

Read the full, original article by Fallon Fischer at KRQE.com here.

SANTA FE, N.M. (KRQE) – Artwork from the New Mexico Museum of Art’s collection and the Museum of International Folk Art’s collection were featured in the PBS series “Craft in America.”

The Museum of International Folk Art will host the national premiere screening of the episode, followed by a panel discussion in the museum’s Vernick Auditorium. There will be free museum admission all day, including to the screening and panel discussion.

“Craft in America” staff and film crew traveled to New Mexico twice in 2022 to film the “MINIATURES” episode. The public broadcast of “MINIATURES” on PBS will take place on Dec. 29, 2023. All episodes are available for streaming on the PBS App, craftinamerica.org, and pbs.org/craftinamerica.

For more information on the event, click here.

Craft in America Premieres New Season with episodes: Play & Miniatures

[Los Angeles] – PLAY and MINIATURES premiere on PBS December 29 at 9pm and 10pm, respectively (check local listings).

Streaming starts December 1st on the PBS App, pbs.org/craftinamerica, and craftinamerica.org.

The episodes comprise the newest season of Craft in America. The Peabody Award-winning and Emmy-nominated documentary series has produced 15 seasons since 2007, discovering the beauty, significance and relevance of handmade objects and the artists who make them.

“Craft in America…[has a] knack for telling big stories… about the formation of culture, the purpose of creativity, the idea that the pursuits of beauty and utility are foundational to humanity.” – New York Times

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PLAY

PLAY explores the intersection of play and artistry. From puppets to piñatas to unicorns, this hour reveals how artists use the tools of childhood to inspire imagination, celebration and wonder. The featured artists and institutions are Lorena Robletto, Roberto Benevidez, Calder Kamin, Schroeder Cherry, Skirball Cultural Center Noah’s Ark & Puppet Festival and Cotsen Children’s Library.

EPISODE HIGHLIGHTS

Lorena Robletto and Roberto Benavidez (Los Angeles, CA)
PLAY opens in Los Angeles with two artists’ distinct takes on the art of the piñata. Lorena Robletto creates festive and creative piñatas with fair labor practices at her business, Amazing Pinatas, while Roberto Benavidez takes a sculptural approach to the piñata, making work inspired by Hieronymus Bosch and medieval illuminated manuscripts.

Calder Kamin (Breckenridge, CO)
From Los Angeles, we travel to Colorado to Calder Kamin’s art installation at the Breckenridge International Arts Festival. She is committed to reusing and recycling in her art and sculpts from discarded plastic, creating a unicorn with old Mardi Gras beads and engaging the community to learn sustainable art methods.

Schroeder Cherry (Baltimore, MD)
In Baltimore, artist and museum educator Schroeder Cherry introduces us to his cast of handmade puppets. Cherry puts on puppet shows to share African American history with children and adults alongside his practice as a painter and collage artist.

Skirball Center Noah’s Ark and Puppet Festival (Los Angeles, CA)
Crossing back to the West Coast takes us to the Skirball Cultural Center, a Jewish educational institution that is hosting their annual puppet festival. This year, artist Chris Green joins to revisit one of the centerpieces of their children’s programming, Noah’s Ark, a vast installation featuring hundreds of animals crafted from found objects.

Cotsen Children’s Library (Princeton, NJ)
We track the legacy of one of the founding Board members of the Skirball, Lloyd E. Cotsen, to the Cotsen Children’s Library at Princeton University. Cotsen was a collector and philanthropist and the Cotsen Children’s Library now houses his vast collection of children’s books. We learn how children’s books enrich the lives and minds of the community and all of us through play and imagination.

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MINIATURES

MINIATURES explores the world of tiny objects and the artists that make them. From folk art to marionettes to tiny furniture, the artists of MINIATURES reveal what motivates them to work at a scale that demands a masterful attention to detail. The featured artists and institutions are Mark Murphy, Alexander Girard, the International Folk Art Market, Leandro Gómez Quintero and Gustave Baumann.

EPISODE HIGHLIGHTS

Mark Murphy (Astoria, OR)
We meet Mark Murphy, a miniaturist living and working in Astoria, Oregon. Mark shares his process for creating intricately detailed miniature furniture. We travel with him to the Chicago International Miniatures Show and connect with his community of other remarkable miniature artists.

Alexander Girard (Santa Fe, NM)
We visit Santa Fe, New Mexico, to reveal the iconic 20th-century designer Alexander Girard’s passion for folk art through the “Multiple Visions” exhibition at the Museum of International Folk Art. In the 1980s, Girard transformed his collection of over 100,000 pieces of miniature folk art from all over the world into one expansive exhibition that has been displayed exactly as he designed it for over 40 years.

International Folk Art Market (Santa Fe, NM)
We travel the globe at the annual International Folk Art Market in Santa Fe, New Mexico, where artists and makers from around the world including Mexico, Peru, Kyrgyzstan, Ukraine, Eswatini, and more share their practices and culture through miniature folk art and other craft traditions.

Leandro Gómez Quintero (Baracoa, Cuba)
From IFAM, we cross the continent and ocean and follow the model vehicles of artist Leandro Gómez Quintero to his home in Baracoa, Cuba. Leandro crafts his faithful recreations of vehicles like the iconic Willys Jeep with intricate detail and accuracy, using found materials to tell the story of Cuba and her people through his art.

Gustave Baumann (Santa Fe, NM)
Finally, we celebrate the prolific multidisciplinary artist, Gustave Baumann, who created paintings, woodblock prints and marionettes in the first half of the 20th century. Baumann was deeply inspired by the landscape and people of Santa Fe, and the city keeps his legacy alive today with their yearly Christmas marionette show.

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ARTIST & INSTITUTION BIOS: PLAY

Lorena Robletto
Lorena Robletto is a Los Angeles based piñata artist. After serving as a social worker for immigrant families and consulting for immigrant-owned businesses, Robletto turned her focus towards the artistry of piñatas and set up a shop, Amazing Pinatas, in the Los Angeles Piñata District. Her studio and storefront is now located in Mid City, where her team creates custom piñatas of any scale along with ready-made piñatas and various signature designs. She frequently makes props and commissions for the entertainment industry and other branded events.

Roberto Benavidez
Roberto Benavidez is a figurative sculptor originally from South Texas, specializing in the piñata form. After moving to Los Angeles, he rediscovered his passion for the visual arts and studied figure sculpting and bronze casting at Pasadena City College. Benavidez later switched to paper, a more accessible material than bronze, deciding to focus on the piñata technique, a familiar form from childhood. Benavidez plays with underlying themes of race, ephemerality, beauty and sin, layered with his identity as a mixed-race queer artist, with a focus on impeccable craftsmanship. Some of his otherworldly creatures could have stepped out of Hieronymus Bosch’s The Garden of Earthly Delights. Currently, one of Benavidez’s ‘Painting Piñatas’ is on display in all LA Metro buses under the Through the Eyes of Artists poster series, and another landscape is on view at LAX Terminal 1.5 in Craft in America’s LA Scenes exhibition.

Calder Kamin
Artist, educator and advocate, Calder Kamin transforms trash into beautifully crafted creatures and opportunities to inspire others to be creative and courageous about the future. Nature’s endless ability to reuse and adapt motivates her to eliminate waste and reimagine it as art. Kamin’s creative reuse art projects and public workshops have traveled to museums across the states including The Crystal Bridges Museum of American Art, The American Museum of Natural History, The Contemporary Austin, The i.d.e.a. Museum, and The Amon Carter Museum of American Art. Plastic Planet, her 2016 solo exhibition at Women & Their Work, was supported by a Mid-America Arts Alliance Artistic Innovations Grant and the subject of an episode for the PBS series Arts In Context. She was the Utah Museum of Contemporary Art’s Art Truck Artist, the first AIR at the Beach Museum of Art, and Artist-in-Residence at BreckCreate, Landmark Apartments, the DoSeum and San Antonio’s Children’s Museum. Kamin is a board member of Austin Creative Reuse, a non-profit that diverts community waste to artists, crafters and educators as resources.

Schroeder Cherry
Dr. Schroeder Cherry, a native of Washington, DC, is now a Baltimore-based artist working with puppets, paintings and mixed media assemblages. Dr. Cherry captures everyday scenes of African American life, often set in barbershops and utilizing repurposed materials. He has worked in museums across the US, including The Art Institute of Chicago, Smithsonian Institution’s Anacostia Museum, Studio Museum of Harlem, J.Paul Getty Museum, The Baltimore Museum of Art and Maryland Historical Society. He has held senior grant maker positions at Lila Wallace-Reader’s Digest Foundation and the Institute of Museum and Library Services. He is the Museum Curator at the James E. Lewis Museum of Art and currently teaches museum studies at Morgan State University. His works “are open-ended narratives inspired by travel, music, literature, folklore, and everyday events.”

Skirball Cultural Center
The Skirball Cultural Center is a place of meeting guided by the Jewish tradition of welcoming the stranger and inspired by the American democratic ideals of freedom and equality. They welcome people of all communities and generations to participate in cultural experiences that celebrate discovery and hope, foster human connections, and call upon us to help build a more just society. Open to the public since 1996, the Skirball is one of the world’s most dynamic Jewish cultural institutions and among the leading cultural venues in Los Angeles.

Chris Green
Chris Green is a Brooklyn-based designer, director and performer. His theatrical and installation works have been presented nationally and internationally in venues including the Skirball Cultural Center, Lincoln Center, New York City Center, St. Anne’s Warehouse, Geothe Institute (Delhi), National Geographic Museum, La Jolla Playhouse, Teatro del Lago (Chile) and BAM Harvey. Since 2005, his design studio, Chris Green Kinetics, has received awards of excellence from the American Association of Museums, TEA, and a Regional Design Award from AIA. Recent projects include Firebird, with ten puppeteers and a full orchestra, Hagoromo, a puppetry and dance collaboration with David Michalek, David Neumann and Wendy Whelan, and This Is Hunger, a multi-media installation about hunger in America traveling across the country in an expanding tractor-trailer.

Cotsen Children’s Library
The Cotsen Children’s Library, a unit within Princeton University Library’s Department of Special Collections, is the benefaction of Lloyd E. Cotsen, ’50, and Charter Trustee, Emeritus. The curatorial division administers the research collection of illustrated children’s books, manuscripts, original artwork, prints and educational toys, hosts academic conferences on children’s books and publishes their proceedings, and sponsors fellowships for research. The outreach division of Cotsen serves children of all ages, families, librarians and educators. Campus visitors can explore Bookscape, a whimsical reading environment with its two-story bonsai tree, Wall of Books, exhibition space, and attend free weekly story hours and special events.

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ARTIST & INSTITUTION BIOS: MINIATURES

Mark Murphy
Mark Murphy is a miniaturist who specializes in Arts & Crafts furniture including Greene & Greene and Japanese furniture. He studied at Ohio State University, with an emphasis on sculpture. He finished his studies at the Philadelphia College of Art with a BFA in woodworking and furniture design. Shortly after that, he moved to San Francisco where he started making scale furniture models. It was at that time he met the miniature house builder Pam Throop and started making pieces for her period American and English houses. Mark also does collaborative work with several other miniature artists including Mary O’Brien, Patricia Hartman, Patricia Richards, Lee-Ann Wessel and Annelle Ferguson. A Fellow of the International Guild of Miniature Artisans, Mark has been teaching miniature furniture construction since 2000. He shows his work at miniature shows (The Guild Show in Hartford, CT, The Good Sam Showcase of Miniatures in San Jose, CA and the Chicago International Miniatures Show). His work is in private miniature collections and miniature museum collections including the Gateway Center in Maysville, KY and the Toy and Miniature Museum in Kansas City, MO.

Alexander Girard
Alexander Girard (1907–1993) was a highly influential and prolific interior and textile designer in the 20th century. He designed interiors for restaurants, homes, offices, and aircraft. He created textiles, typography, and tableware. His work extended to exhibitions, toys, and an entire city street in Columbus, Indiana. Folk and pop art were inspirations for his bold, colorful and whimsical artwork. Girard was a defining figure in the history of the Museum of International Folk Art. He donated more than 100,000 objects from his and his wife Susan’s folk art collection. In 1981, this became the museum’s permanent exhibition, “Multiple Visions: A Common Bond.”

International Folk Art Market
The mission of the International Folk Art Market in Santa Fe, NM, is to create economic opportunities for and with folk artists worldwide who celebrate and preserve folk art traditions. IFAM envisions a world that values the dignity and humanity of the handmade, honors timeless cultural traditions, and supports the work of artisans serving as entrepreneurs and catalysts for positive social change. Recognized globally as the largest market of its kind, IFAM provides an event for some of the finest folk artists to gather in one location, exhibit their artwork that is rooted in tradition and culture, and partake in cross-cultural artistic exchange. The earnings generated from the Market return to the home communities of the artists, creating long-term economic opportunity.

Leandro Gómez Quintero
Leandro Gómez Quintero uses paper, cardboard and found objects to create models of American cars and Jeeps, all of which are used as methods of transportation in his hometown of Baracoa, Cuba. They are individually hand painted and detailed to mimic the original vehicle. His sculpture represents Willys Jeeps from 1942–1955, as well as Dodge Power Wagons, GMCs, and Fords from the era. These sculptures are representations of what his community sees on a daily basis, and Leandro hopes to preserve and offer knowledge through his art, as well as reflect the history of transportation and everyday life in Cuba. Quintero says, “They bring humor and call attention to the fact that we are an isolated community within a country that has been isolated for many years. By showing the people a part of their everyday lives in a lighthearted way, they come to appreciate and can smile at some of the difficulties that we encounter in just trying to live our lives and getting from one place to another.” (Courtesy of International Folk Art Alliance, 2017)

Gustave Baumann
(1881–1971) was an American printmaker and painter, and one of the leading figures of the color woodcut revival in America. While still a young boy, Baumann emigrated with his family from Magdeburg, Germany, to Chicago. He returned to Germany to study at Kunstgewerbeschule in Munich, and later attended the Art Institute of Chicago. After moving to Santa Fe in 1918, he became a leading member of the art community. Baumann was appointed area coordinator of the Public Works of Art Project of the Works Progress Administration beginning in the early 1930s. During this time, he also carved and decorated a large number of marionettes, with which he, his wife and other artists toured the state, acting out Hispanic and Native American folk stories.

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ABOUT CRAFT IN AMERICA

Craft in America is the Peabody Award-winning series on PBS exploring America’s creative spirit through the language and traditions of the handmade. The series takes viewers on a journey to the artists, origins and techniques of American craft. Each episode contains stories from diverse regions and cultures, blending history with living practice and exploring issues of identity, ritual, philosophy and creative expression. Craft in America’s organizational efforts include educator guides that adhere to national standards and the Craft in America Center in Los Angeles.

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OUR MISSION

To promote and advance original handcrafted work through programs in all media

OUR GOALS

To document the importance of handmade objects and the artists who make them
To provide a gateway to discover, explore and experience craft
To celebrate our nation’s cultures through craft

CRAFT IN AMERICA, Inc. is a Los Angeles-based 501(c)(3) non-profit organization.

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CONTACT

Lauren Over or Terry de Castro
press@craftinamerica.org