True Gravity
The Architect’s Newspaper
5/7/26
March 27, 2026 – March 10, 2027
Luminous forms welcome visitors to The Rockwell Museum, a Smithsonian Affiliate, in True Gravity, the latest installation in its Antigravity series. Created by neon artists and founders of She Bends Studios, the installation was designed by Kelsey Issel in collaborative mentorship with Meryl Pataky. The work will be on view through March 2027 in the first-floor entryway. Suspended within the Museum’s historic rotunda, the installation explores glass, light and the subtle forces that shape form.
She Bends is a neon organization and teaching studio dedicated to the practice and study of neon craft and contemporary art, highlighting the contributions of women and gender-expansive artists who bend their own glass and push the boundaries of the material.
“True Gravity is a study in balance: breath, heat and gravity conspiring with two artists to make something suspended between intent and inevitability—a record of trust in each other, in the material and in the invisible forces, human and natural, that hold us here,” said Issel.
Drawing from the visual and structural language of open weave textiles, True Gravity examines tensions between rigidity and flexibility and individuality and interdependence. Pataky and Issel’s neon creations invite visitors to reconsider the expressive potential of glass and light. Weighing more than 100 pounds, the soft glass tubes are filled with krypton, creating an ethereal milky white color suspended by monofilament.
The title of the work of art references Michael Murphy’s concept of “true gravity,” a condition in which the body yields to what the material and the environment already intend. The artists’ shared practice draws on feminist teaching methods, valuing attunement over control and exchange over hierarchy.
The presentation of “True Gravity” also supports America 250 as The Rockwell Museum’s contribution to “Handwork: Celebrating American Craft 2026,” a nationwide initiative led by Craft in America. The yearlong effort brings together makers, museums and cultural organizations to celebrate the craft traditions that connect communities across the country.
“During this year of celebrating American craft, the installation sets the tone for every visit to The Rockwell,” said Erin M. Coe, executive director of The Rockwell Museum. “True Gravity captures the experimentation at the heart of the Museum’s Antigravity projects, and Kelsey and Meryl’s boundary‑pushing neon offers a memorable and surprising experience for our visitors.”
Now in its eighth year, Antigravity is an ongoing series of site-specific installations in the entry of The Rockwell Museum. The program highlights emerging artists and invites them to create original, thought-provoking work in an unexpected space that greets every visitor. As the first artwork guests encounter, each installation is designed to be fun, surprising and engaging.
A key component of the Antigravity project is the Museum’s collaboration with the Corning Museum of Glass. Antigravity artists are invited to serve as guest designers in residence at the Amphitheater Hot Shop, where they work alongside expert glassblowers who help translate their ideas into glass. Pataky and Issel participated in this residency, using the opportunity to experiment with hot glassmaking techniques outside of their usual realm of work.
True Gravity is part of “Reframed at 50,” The Rockwell’s yearlong series of dynamic exhibitions and programs commemorating the institution’s 50th anniversary. The installation also coincides with the 2026 Glass Art Society Conference and the 75th anniversary of the Corning Museum of Glass.
Image: Kelsey Issel and Meryl Pataky, True Gravity, 2026. 8mm hand bent clear soda-lime glass tubes filled with Krypton gas, electronic transformers. Final installation at The Rockwell Museum, Corning, NY. Photograph by Andrew Owen.