Craft in America exhibition shows expressive side of skateboards
Beverly Press/Park La Brea News
March 12, 2026
The Craft in America Center presents “Vehicles of Expression: The Craft of the Skateboard” from March 14–May 30.
The exhibition is among the first in the U.S. to focus on the crafted innovations of skateboards, from their inception in Southern California to contemporary, irreverent expressions from artists across the nation. Where other exhibitions have focused on deck art and visual culture of skateboarding, “Vehicles of Expression” focuses on the historical development of the skateboard as a constructed object – from rough-and-ready homemade inventions with lumber, nails and repurposed wheels to contemporary high-tech, ecologically-conscious uses of materials and conceptual works.
Through choices of materials and finishing approaches, artists imbue boards with style and meaning. Some skateboards are made to be cherished as gorgeous objects and others are made for artful performance stunts, departing radically from the sport’s competitive aspect. With skating’s spirit of undaunted exploration and ingenuity, the exhibition celebrates a diversity of approaches. The show expands definitions of craft, art and performance by presenting multiple vantage points on skateboards.
An opening reception with remarks by multimedia artist Abe Dubin will be held on Saturday, March 14, from 3-5 p.m. “Build It and Ride: How Skateboards Began,” an in-person and online talk by Todd Huber, skateboard historian and founder of the International Skateboarding Hall of Fame, will be held on April 11, from 3-4 p.m.
“Skateboarding the Canyons, Plains and Asphalt-banked Schoolyards of Coastal Los Angeles in the 1970s” with scholar Lorne Platt on the evolution of skateboarding environments in suburban developments will be held on April 18 from 11 a.m.-noon. Additional in-person and virtual talks by skateboard historians, makers, artists and performances will take place in conjunction with the exhibition.
The Craft in America Center is located at 8415 W. Third St. For information, visit craftinamerica. org/exhibition/vehicles-of-expression-the-craft-of-skateboarding.
Today on AirTalk: SoCal History: Skateboarding
LAist/Airtalk with Larry Mantle
3/9/26
SoCal History: A look at the origins of skateboard design
Southern California is the birthplace of a plethora of American inventions and innovations, chief among them: the humble skateboard. Four wheels, a plank of wood, and some metal bits to tie it all together, and boom: you have a mode of transportation that’s relatively easy to learn but incredibly tough to master. Skateboarding and skateboard culture began in Southern California back in the 1950s, and took hold of the cultural zeitgeist later in the century. Now, a new exhibit at the Craft in America Center in Mid City is exploring the creative, innovative, and sometimes wonky designs that have blessed Southern California’s sidewalks for decades. Joining Larry this morning for more on this exhibit and the history of skateboard design are Todd Huber, skateboard historian and founder of the International Skateboarding Hall of Fame, and Emily Zaiden, Director and lead curator of the Craft in America Center, a Los Angeles-based nonprofit arts organization founded in 2004 focused on original handcrafted work.
The Vehicles of Expression: The Craft of the Skateboard exhibition is running from March 14 through May 30 at the Craft In America Center in Mid City. More information is available here.
Craft in America announces skateboard exhibition, Vehicles of Expression
Woodworking Network
By Dakota Smith
March 6, 2026
LOS ANGELES, Calif. — Craft in America, a Los Angeles-based non-profit organization founded in 2004 to promote original handcrafted work, is hosting Vehicles of Expression: The Craft of the Skateboard. The exhibit will be one of the first museum exhibitions in the U.S. to focus on the crafted innovations of skateboards, starting with their inception in Southern California and ranging to contemporary, irreverent expressions from artists across the nation.
Beginning March 14 through May 30, Abe Dubin, skateboarder and multimedia artist, will address the “why” that fuels skateboard innovation and how the melding of imagination with physical objects (and the altering thereof) is the essence of skateboarding.
Where other exhibitions have focused on deck art and visual culture of skateboarding, Vehicles of Expression focuses on the historical development of the skateboard as a constructed object; from rough-and-ready, homemade inventions with lumber, nails, and repurposed wheels, to contemporary high-tech, ecologically-conscious uses of materials, and ultimately, performative and conceptual works that perpetuate its mischievousness and spirit of continual exploration.
From its very inception the skateboard has been the product of MacGyvering things together, drawing from hockey, roller skating, surfing and go carts. This exhibition will be one of the very first to substantively present skateboards as material culture and as handcrafted objects of artistic expression. In terms of design, material, and construction, skateboards are some of the most common, widespread crafted objects in our world, yet they have generally been overlooked by museums. Skateboards can be artfully made and used for equally artful performative acts. Intended to show wear and tear as badges of pride, these carefully crafted objects exist in a state of potential ephemerality. This show will expand definitions of craft, art, and performance by looking at this beloved and familiar object. Arguably one of LA’s biggest cultural exports, the show will focus on the artistry and history of the handmade, handshaped skateboard.
Some skateboards are made to be cherished simply as gorgeous objects and others made for artful performance—stunts of deconstruction and midair transformation engineered into the boards—in each case, departing radically from the the sport’s competitive aspect.
With skating’s spirit of undaunted exploration and ingenuity, the exhibition celebrates its diversity of approaches—being both trickster and diplomat. Intended to show wear and tear as badges of pride, these carefully crafted objects exist in a state of potential ephemerality. This show will expand definitions of craft, art, and performance by presenting multiple vantage points on this well loved and ubiquitous object.
If you would like to attend, send an email to rsvp@craftinamerica.org
Original article here.
Craft in America Center’s tool exhibition extends through February
The Beverly Press
February 5, 2026
The Craft in America Center has extended the exhibition “Tools of the Trades: American Handmade Implements & Devices” through Feb. 28.
The exhibition is the first of its kind to highlight beautifully designed, hand-crafted tools made by contemporary toolmakers in the United States. It is the first in a series of exhibitions for Handwork 2026, a nationwide semiquincentennial collaboration celebrating the diversity of craft that defines America.
Artists, particularly craftspeople, rely heavily on tools in the creation of their work. Some processes might require implements that are very idiosyncratic to an artist’s process and that are not simply available at the hardware store. “Tools of the Trades: American Handmade Implements & Devices” focuses on contemporary, handmade tools, made by artists distinctly for craft processes with extreme attention to craftsmanship and design. Vintage tools will round out the selection.
Prior to mass production, makers and artists fabricated their own implements as needed. In doing so, they might decide to add beauty to the functional tool with decoration. “Tools of the Trade” celebrates the ingenuity born of necessity and the special narratives in the hand-crafted. The objects pertain to a wide scope of crafts including ceramics, textiles, hot glass, wood working and metal, as well as niche fields within them, such as ironwork or spinning.
Participating artists include Jeff Amundson; Randy Augsburger; Jim Austin, of Alchemy Metalworks; Brent Bailey; Brien Beidler; Bosworth Spindles; Elia Bizzarri; Med Chandler; Saign Charlestein; Dennis Dusek; Dyakcraft; Troy Evans; Janet Fox, of Handywomanshop; Seth Gould; Max Grossman; Spencer Hamann; and Kelly Harris. Also included are Arlen Heginbotham; Indian Lake Artisans; Ben Jackel; Rachel Kedinger; Clark Kellog; Andrea and Chuck Kennington, of NC Black Co.; Jay Burnham Kidwell; Kalia Kliban; Anna Koplik; Will Larranaga; Tom Latané; Terry Lee; Shanna Leino; Robert Liu; Jim Moore; Liza Nechamkin; Potter USA; Douglas Pryor; William R. Robertson; Eleanor Rose; Fabiano Sarra; Reid Schwartz; Michael Sherrill, with Mudtools; Elias Sideris; Randy Stromsoe; Tony Swatton; Dossain Valencia; Watanabe & Co.; and John Williams, of Guildwerks.
Craft in America is located at 8415 W. Third St. For information, visit craftinamerica.org.
Beverly Press: Craft in America Center opens colorful exhibit on paper art
9/12/24
Original post in the Beverly Press here.
The Craft in America Center is holding “Erik and Martin Demaine: Puzzling with Paper” from Saturday, Sept. 14, through Saturday, Jan. 4, 2025.
Father-and-son Martin and Erik Demaine are featured in the upcoming Craft in America episode, “SCIENCE.” The duo has a stimulating generative practice that blends disciplines from math to zoology.
They fold pieces of paper by hand along geometrically derived lines and transform flat sheets into intricately curved constructions. The works at the same time prove math theorems. They plot out the pattern of a sunflower’s face, improvise pathways of hot glass on paper, extract Shakespeare’s words and write programs that generate threedimensional and animated fonts.
The Craft in America Center also presents “Lorraine Bubar: Papercut Perspectives” from Sept. 14-Jan. 4. Bubar creates lush imagery reflecting the hierarchy and intricate patterns of nature through the cutting and layering of fine Asian colored papers.
Summer 2024: Building Blocks, Woodworking, and Family Fun!
Summer’s here and school’s out! Even while our Craft in Schools program takes a short summer break, our Craft in America Center team is hosting all kinds of eclectic crafting workshops, artist-musician events, and talks – not to be missed!
Drop-In Fun: Summer ‘24 Family Activity Sheets
We welcome young creatives, their friends and families to come enjoy our AC alongside this summer’s Building Blocks: Process & Wood exhibition (all free of charge). We’re excited to host some creative and fun activities, suitable for youth ages preK-8th grade; with past times that will entertain young visitors with (pictured below):
- a drawing/coloring station
- a playful scavenger-hunt through our exhibition
- an intro to woodworking ideas
- short technique-video clips on how craft artists make their art in studios
- & small surprise prizes!
For more explorative crafters and learners, we encourage taking an inspirational dive into our PBS Craft in America docuseries: full episodes, and artist storytelling shorts. In between summer adventures and much needed rest ~ we hope you’ll drop by and connect with us soon!
Woodworking Network: Craft in America Announces New Exhibition
April 26, 2024
Original post by Dakota Smith on Woodworking Network here.
LOS ANGELES, CA — The Craft in America Center has announced Building Blocks: Process and Wood, a group exhibition highlighting Southern California woodworkers who use tradition to create contemporary interpretations.
Craft in America is organizing an exhibition of woodwork and furniture-based sculpture made by the artists who were consulted and filmed for the new Craft Video Dictionary (CVD) definitions. The exhibition will consist of approximately two dozen recent works made by six artists in the field who are based across the Los Angeles basin. Ranging in styles and perspectives, these artists are unified by formal innovation coupled with a unique understanding of materials and techniques.
The Craft Video Dictionary is a new digital tool for understanding how objects are made. Launching in early 2024 with an initial exemplary array of video definitions that span media, material, process, and discipline, the CVD will continue to expand and develop over time. New, additional video definitions will be added at later intervals in 2024 and beyond. Especially for those who are not makers or artists, the CVD provides a chance to gain awareness about the crafting of objects, in real time. These educational videos are intended to clarify, elucidate, document, and explain craft techniques.
Participating Artists: Reuben Foat, Martin Alexander Hernandez, Ryan Taber, Lauren Verdugo, Larry White and Maxwell Wilson
Urban Glass: John Luebtow and Stephen Edwards return to Los Angeles
4/23/24
Read the original article by Kinshasa Peterson on Urban Glass.
John Luebtow and Stephen Edwards return to Los Angeles for an exhibition and discussion at the Craft in America Center
The Craft in America Center in Los Angeles, which is exhibiting a dual-artist exhibit entitled “Between the LInes” through May 25, will host a conversation with the artists John Luebtow and Stephen Edwards on Saturday, April 27 from 3 PM to 4 PM PST. Both in-person and streamed on Zoom and Facebook Live, the talk will bring together two prolific creators who shaped a legacy of glassmaking in Southern California, and who are regarded nationwide as influential educators and artists. Moderated by Craft in America curator Emily Zaiden, the discussion will provide perspective on the major retrospective of their work now on view at the museum.
Luebtow and Edwards both create artwork at differing scales, from intimate forms to powerful works in the public sphere. In addition to their artistic careers, Luebtow and Edwards are both well-known educators who have a shared passion for glass with generations of students in California and New York State, where they established programs for learning in the medium, respectively. Their first meeting, in fact, came when Luebtow was Edwards’ high-school teacher, and the two formed a bond that has spanned decades.
Excerpts from Luebtow’s recently published monograph, Glass: A Lifetime of Creating, were featured in the Spring 2024 issue of Glass: The UrbanGlass Art Quarterly, on sale at newsstands and online. The article can be purchased along with our digital edition.
The accompanying exhibition, Between the Lines: John Luebtow and Stephen Edwards, is on view at the Craft in America Center through May 25.
Happy Earth Day! Art from Craft in Schools 4th graders and Calder Kamin
Earth day is just a few days away! Our Craft in Schools program had a blast hosting reclaimed/reuse artist and sustainability advocate Calder Kamin for our Winter field trips. Our young, neighborhood artists from Mrs. Dror’s Rosewood Elementary 4th grade class were especially inspired by Calder’s work, artist conversations, and reclaimed-art hands on projects. As a group we repurposed marker caps to create a vibrant jump rope (photo at very end, below).
These 4th graders related to Calder’s message of ecological stewardship and environmental values. Calder shared her artist’s journey and ethos for using recyclable materials to address and reduce waste problems through her art residencies. We had lively classroom conversations around the recurring theme of transforming the human made problem of waste into art– because “nature never wastes, that’s why I(Calder) reuse!” In turn, these 4th graders shared about their student-led recycling club and how they repurpose everyday objects for creative and inventive projects. Environmental care and creativity~ what fun!
Each student illustrated a creative, heartfelt thank you card to Calder for our Craft in Schools visits– including illustrations which we were green-lighted to web publish. Please enjoy and share this special collection of inspired art! For more of Calder Kamin’s original work, visit her artist website at www.calderkamin.com; or checkout our 3-d virtual tour on Winter 2023-2024’s Spirit of Play Exhibition page.
Student Illustration Gallery
ArtCentron: Stunning Glass Artistry of Two Outstanding Master Glass Sculptors
4/16/24
Read the full article by Kazeem Adeleke on ArtCentron
LOS ANGELES, CALIFORNIA- Transforming glass into exquisite and alluring art requires skill, creativity, innovation, and glass artistry. Currently, the Craft in America Center hosts an extraordinary exhibition that showcases these important elements. Titled Between the Lines, the exhibition highlights the remarkable work of master glass sculptors John Luebtow and Stephen Edwards. It offers a profound exploration of the captivating world of glass artistry from their unique perspectives and techniques.
In addition to showcasing their existing works, Between the Lines features new pieces created specifically for this exhibition. These new sculptures demonstrate the ongoing creativity and innovation of both artists as they push the boundaries of their craft.
John Luebtow is revered amongst his contemporaries for his precision and creativity. His ability to shape molten glass into intricate works of art reveals an exemplary and rare skill. His sculptures often feature intricate patterns and shapes, showcasing his mastery of the glassblowing process.
One of Luebtow’s notable works is “Venus Vitae,” located in Century City, California. This captivating public art integrates glass elements into water features, creating a unique visual relationship between internal and external geometries. At night, when illuminated, the sculpture assumes a spiritual essence, dispelling dark shadows.
Glass Sculpting and the Transmutation of Matter
“Linear Form Series,” is an another important example of Luebtow’s creativity. A Maquette Study for Nestlé/Carnation Commission created in the late 1980s, Luebtow combines wavy glass strands with solid shapes and stainless steel to capture the relationship between light, people, and the environment. This piece reveals not just his deep understanding of form and shape, but also how they exist and interact with their surroundings.
Stephen Edwards approaches glass sculpting with a focus on the transmutation of matter and his medium. He draws inspiration from nature to create massive sculptures that balance structure and fragility. His meticulous process involves using molds carved from styrofoam to cast molten glass, creating surfaces that mimic textures found in nature, such as water ripples and cliff faces.
Vulnerability to Hubris
Edwards’ ability to create exceptional sculptures rich with symbolism is evident in many of the works on display in this exhibition. One of them is “Icarus 2024.” Crafted from cast glass and steel, the sculpture vividly portrays the repercussions of hubris using a saturated red hue. Drawing inspiration from the myth of Icarus, Edwards depicts a figure bursting forth. Adorned with wings on his back, the artist creates the illusion of Icarus poised for flight, heedless of the warnings that his wings, fashioned from wax, will melt if he ventures too close to the sun. The sculpture’s reflection of viewers serves as a poignant reminder of our shared vulnerability to hubris.
Edwards’ impact on the world of glass artistry extends far beyond his own creations. As a teacher and mentor, he has influenced countless aspiring artists, helping to shape the future of the medium. His work can be found in public collections and prestigious institutions around the world, including prestigious institutions. They are in National Art Gallery at the Smithsonian Institution and the Corning Museum of Glass.
Celebrating Glass Artistry of Two Master Glass Sculptors
Between the Lines is a rare opportunity to appreciate the beauty and complexity of glass sculpture through the lens of these two masterful artists. It celebrates their enduring contributions to the world of glass sculpture, inviting viewers to experience the transformative power of art.
The juxtaposition of Luebtow’s precise, geometric forms with Edwards’ organic, nature-inspired sculptures creates a dynamic visual experience. It allows viewers to appreciate the beauty and complexity of glass artistry. Above all, it serves as a poignant reminder of the marvels within the natural world and the transformative power of art.